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Mozart, Wolfgang Amadeus: Venite populi

Offertorium de venerabili sacramento

vocal/choral score

Editado por Federhofer, Hellmut
Arreglo: Mixed Voices and Accompaniment
Instrumentación: Mixed choir-SATBSATB/trombone1/trombone2/trombone3/Str/Org
Serie: Bärenreiter Urtext
Época: Clasicismo
Grado: 3
Duración: 0:05
Páginas: 24 páginas
Peso: 0.13 kg
Editorial: Bärenreiter
Nº de artículo: BA4899
Nº de editorial: BA04899
ISMN: 9790006460106

The 0ffertorium de venerabili sacramento &ldquo,Venite populi&rdquo, &agrave, 2 Chori K. 260/248a &ndash, dated Salzburg, 1767 by Mozart in his autograph score &ndash, clearly reveals a striving for more pronounced contrapuntalwork. A short, homophonic central movement is framed by two predominantly polyphonic movements that are fashioned from the same thematic material. The two-chorus texture offers many opportunities for interweaving, as well ascontrast and echo effects of all kinds. It is

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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