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Mozart, Wolfgang Amadeus: Missa

vocal/choral score

Transcrito por Focke, Martin
Editado por Holl, Monika
Arreglo: Vocal
Instrumentación: SSolo/ASolo/TSolo/BSolo/Mixed choir-SATB/2Ob/2Hn/2Trp/3trombone/timpani/2V/Bassi(Vc/double bass/bassoon)/Org
Serie: Bärenreiter Urtext
Época: Clasicismo
Grado: 3
Páginas: 52 páginas
Peso: 0.163 kg
Editorial: Bärenreiter
Nº de artículo: BA4880-90
Nº de editorial: BA04880-90
ISMN: 9790006458554
In January 1779 Mozart started his new position as court organist in Salzburg which entailed the composition of numerous sacred works. The autograph of his 'Missa in C major' K. 317 - known as the 'Coronation Mass' since the 19th century - was dated 'li 23 marzo 1779'. This was noted in the composer's hand at the beginning of the 'Kyrie'. Possible dates of the premiere can be deduced from the dates of the Easter holidays in 1779 so it would have been either on 4 or 5 April.
Mozart probably wanted to showcase his musical skills with the composition of the mass, the scale and instrumentation of which is very grandiose and not at all modest.
The nickname 'Coronation Mass' refers to various coronation ceremonies after Mozart's death during which the work was performed. However, the legend that the mass was composed for the occasion of a remembrance celebration for the crowning of the image of the Virgin at Maria Plain outside of Salzburg is still being told today.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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