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Mozart, Wolfgang Amadeus: Missa

score

Editado por Senn, Walter
Arreglo: Voice, choir and orchestra
Instrumentación: SSolo/ASolo/TSolo/BSolo/Mixed choir-SATB/2Ob/2Trp/3trombone/timpani/2V/Bassi/Org
Serie: Bärenreiter Urtext
Época: Clasicismo
Grado: 3
Peso: 0.482 kg
Editorial: Bärenreiter
Nº de artículo: BA4859
Nº de editorial: BA04859
ISMN: 9790006457564

The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a), it is designated in Leopold Mozart’s handwriting as a Missa longa on the coverpage of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ''Missa longa'' was intended to point out that this was an extensive, full-scale mass. Normally,it would have been called a Missa sole

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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