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Beethoven, Ludwig van: Grande Sonata

for Pianoforte

playing score

Op. 7
Editado por Del Mar, Jonathan
Arreglo: Piano
Instrumentación: piano
Serie: Bärenreiter Urtext
Época: Clasicismo
Idioma: Czech-English-German
Grado: 5
Peso: 0.244 kg
Año de publicación: 2017
Editorial: Bärenreiter
Nº de artículo: BA11802
Nº de editorial: BA11802
ISMN: 9790006561759

The earliest sketches for Beethoven&rsquo,s Grande Sonate Op.7 date from 1796 and the first edition was issued by the publisher Artaria, Vienna in October 1797. It is dedicated to Beethoven&rsquo,s pupil Anna Luise Barbara(Babette) Countess Keglevicz, in whom, if Carl Czerny is to be believed, he was passionately in love. For this reason it is sometimes known by its German nickname &ldquo,Die Verliebte&rdquo, (The Lover).

This work is one ofthe longest and most demanding of Beethoven&rs

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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