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Satie, Erik: Avant-derni?res pensées

for Piano

playing score

Editado por Rosteck, Jens
Arreglo: Piano
Instrumentación: piano
Serie: Bärenreiter Urtext
Época: Romanticismo
Idioma: English, German
Grado: 3
Peso: 0.114 kg
Año de publicación: 2015
Editorial: Bärenreiter
Nº de artículo: BA10849
Nº de editorial: BA10849
ISMN: 9790006557981
The atmospheric cycle ''Avant-dernieres Pensées'' (Next-to-last Thoughts) of 1915, with its underlaid words, likewise belongs to Satie’s ‚story pieces’.The curious performance instructions in these three miniatures, all based on ostinato figures, amusingly lampoon the ideal of Romantic expressiveness.This Urtext edition faithfully adheres to the sources and reflects the latest findings of Satie scholarship. It contains translations of all of Satie’s French texts, practical page-turns, notes on p

Contenidos

1.
Idyll
2.
Dawn Song
3.
Meditation
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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