Fauré, Gabriel: Barcarolles
playing score
Gabriel Fauré’s 13 Barcarolles, composed over a period of almost four decades (1882 1921) are highly representative of his output for piano and are regarded as his most characteristic works.They reflect his breaking free from the Romantic idiom, particularly that of Chopin and Mendelssohn, developing an independent musical language in which he combined tradition and the emerging modernism.These important works arenow made available in scholarly-critical Urtex
Contenidos | ||
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1. | 1re Barcarolle Op.26 | |
2. | 2e Barcarolle Op.41 | |
3. | 3e Barcarolle Op.42 | |
4. | 4e Barcarolle Op.44 | |
5. | 5e Barcarolle Op.66 | |
6. | 6e Barcarolle Op.70 | |
7. | 7e Barcarolle Op.90 | |
8. | 8e Barcarolle Op.96 | |
9. | 9e Barcarolle Op.101 | |
10. | 10e Barcarolle Op.104 | |
11. | 11e Barcarolle Op.105 | |
12. | 12e Barcarolle op.106 bis | |
13. | 13e Barcarolle Op.116 |
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
