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Fišer, Luboš: Variations on an Unknown Theme

for String Quartet

playing score

Edited by Hájek, Jonáš
Setting: String Quartet
Instrumentation: 2V/Va/Vc
Grade: 3
Weight: 0.154 kg
Publisher: Bärenreiter
Item number: H8023
Other reference: H08023
ISMN: 9790260105874
Luboš Fišer (1935-1999) was one of the most distinctive figures of Czech music in the 20th century and composed the 'Variations on an Unknown Theme' in 1976.
The 'unknown theme' was a prankish eight-bar theme from Fišer's student days. In the elation following the home-team win over Canada on 15 March 1959, he made a bet with his colleague Kalach to compose a concert piece for violin and orchestra with the working title 'Canada-Rondo'. The whimsical contest was abandoned, but Fišer did not forget the theme and he later created variations on it for his new composition for the Talich Quartet.
The 'Variations on an Unknown Theme' have now been published for the first time ever. This edition is based on the autograph of the score which is housed in the Czech Museum of Music in Prague.
- first printed edition
- foreword in three languages (Cz/Ger/Eng)
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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