Kabelác, Miloslav: 8 Ricercari IV/11
for Percussion Instruments
playing score
After the phenomenal success of the cycle Eight Inventions for percussion instruments Op. 45, Kabeláe embarked upon another cycle at the request of the ensemble Les Percussions de Strasbourg - Eight ricercari (written in the years 1966-1967, with minor revisions from 1971). In this case, Kabelác did not merely aim for a continuation of the previous cycle - he wanted to create a work of a different character, a new and distinctive composition, nor would he allow himself any repetition (in fact, each of Kabelác's symphonies is written for a different set of instruments). In Ricercari Kabelác chiefly makes use of the specific qualities that percussion instruments offer the composer. Ricercari was written for one to six players and again employs Kabelác's new proportional notation.
The autograph of the work is kept at the Czech Museum of Music in Prague. A copy of the piece was made privately during the composer's lifetime which was itself duplicated to provide scores for all the ensembles who included this work in their repertoire. The current edition of the score, in practice also used for performance purposes, is therefore the first ever printed edition and corresponds both to the autograph and the meticulous copy made at the time and corrected by the composer. The publication includes a short study by editor Z. Nouza (Cz./Eng./Ger.).
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
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