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Kubát, Adolf – Smetácek, Václav: Attacken, verspielt und verwegen

Rondo for Double Bass and Piano

playing score

Instrumentation: double bass/piano
Weight: 0.12 kg
Publisher: Bärenreiter
Item number: H7982
Other reference: H07982
ISMN: 9790260104181
The single-movement rondo for double bass and piano entitled Fierce and Frolicsome was written in the years 1997-1998. The work was inspired by the remarkable achievements of pupils studying the double bass under Miloslav Ledvinka, Kubicka's colleague at the Conservatoire.
While the piece is technically more demanding, its aim is to bring joy and pleasure to both performer and listener. The light, playful character of the piece is enhanced by its animated side involving - against a background of frequent metre variation - the complementary rhythm of both instruments (characteristic of music from the first part which returns several times). In contrast, the repetitive rhythmical and melodic figures in the piano or the exalted melodies in the solo instrument may seem uncompromising and wild.
The notation takes into account the re-tuning of the double-bass strings up a major second, as is customary for the double bass concert repertoire.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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