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Teml, Jirí: Alchimisten

playing score

Setting: Organ
Instrumentation: Org
Weight: 0.17 kg
Publisher: Bärenreiter
Item number: H7976
Other reference: H07976
ISMN: 9790260103795
The cycle The Alchemists was written in 1984 and was first performed during the event Week of New Music in 1985. The composer was here inspired by the mysterious world of the Alchemists in Rudolfine Prague, and he also decided to give an opportunity for creativity and discovery to the performer himself. The cycle thus offers the chance to create interesting and unusual colour combinations in all levels of dynamics (the registration entered in this edition is merely recommended by the editor). The six concise parts are characterised by an endeavour to achieve maximum freedom of expression by frequently reducing the work to a mere two or three voices. The first part, written without time signatures, flowing along in lyrical mood, introduces the five-note fundamental theme, played very softly. The third and fifth parts are similar in nature to the first. Tempo and expressional contrasts come in the playful second and fourth parts, and the cycle culminates in the final part which makes ful l use of the instrument. The publication includes an informative preface by the editor Jan Hora.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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