Martinu, Bohuslav: String Quartet III.
pocket score
It was a period during which he privately viewed the developments and growing political tensions in his home country with increasing concern. Musically, the Quartet marks a large step on the path that Martinu described as 'geometry evolving into imagination'. It is characterized by an almost uninterrupted use of continuous variation, restless harmonic development, pulsating short rhythms, and an inventive use of timbre.
This Urtext edition continues Editio Barenreiter Praha's series of new editions of Martinu's music.
The editors have based their text on the composer's autograph score, deleting all the problematical and sometimes arbitrary editorial intrusions from the sole previous edition of 1950 and 1955.
- Preface and critical commentary by Ales Brezina and Ivan Straus (Cz./Ger./Eng./Fr.)
- New edition at the cutting edge of Martinu scholarship
- Based o n all available sources
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
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