Price: $13.30 (Excl. VAT)
Online availability: Usually ships within 15 days
Store availability: Usually ships within 15 days

Martinu, Bohuslav: Puppets II.

playing score

Setting: Piano
Instrumentation: piano
Period: 20th Century
Weight: 0.179 kg
Publisher: Bärenreiter
Item number: H7946
Other reference: H07946
ISMN: 9790260103627
This collection of fourteen pieces, together entitledPuppets, plays an exceptional role in thecatalogue of early works by Bohuslav Martinu (1890-1959), namely in that itrepresents thefirst works by Martinu which transcended his initial attempts at compositionand quicklyfound a publisher. Thanks to their lasting popularity particularly with youngpianists, theywere ultimately published in numerous editions. (The way the pieces arenumbered, whichthe composer verifiably accepted, however, does not correspond to their actualchronological order - they were, in fact, written in reverse order, so thatPuppets III camefirst, while Puppets I is the latest in the series.) All three books ofPuppets, which emergedbetween the years 1912 and 1925 and, despite their title, differ from oneanother in theiraesthetic approaches and progressive maturity, are published by EditioBarenreiter innew, revised urtext editions edited by Ales Brezina. This urtext edition withits relativelycomprehensive preface descr ibing the circumstances surrounding the advent ofthe work,is supported by the latest research and an assessment of all known andaccessiblesources, which the editor presents and clarifies in detail in his criticalcommentary tothe second and third books of Puppets. The second book (Puppets II) is dated1918and contains the following works: Puppet Theatre, Harlequin, ColombineRemembers,The Sick Puppet and Colombine Sings. Thanks to its witty musical ideas and thecomposer's empathy for children and their intellectual world, Puppets has,sinceits first edition, always been highly popular among performers.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

How can I shop?

Online purchase:

Buy directly from our web-shop via credit/debit card payment. With this method, only publications which we currently have on stock can be purchased.

In-store pickup:

If you prefer not to shop online, you also have the option to order from our website and we will forward your order to one of our partner music shops of your choosing. In this case, you will buy the scores directly from the shop and pay for them there upon pickup.

Your purchase and payment method can be set here.

Copyright information

Please note that it is illegal to photocopy copyright protected music without the permission of the copyright holder.

To photocopy is to deprive the composer/author of his/her rightful income for his/her intellectual property.