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Martinu, Bohuslav: String Quartet

pocket score

Transcribed by Brezina, Aleš – Klemens, Adam
Setting: String Quartet
Instrumentation: 2V/Va/Vc
Weight: 0.166 kg
Publisher: Bärenreiter
Item number: H7941
Other reference: H07941
ISMN: 9790260103436
The fifth string quartet of Bohuslav Martinu is without a doubt one of the composer's most important chamber music pieces, captivating in its modern, supremely dissonant and chromatic design. And yet until now the work has only been published in one edition (in 1959), and that as a study score. Musicians were thus forced to perform the composition, so difficult to typeset, from second-rate copies and their photocopies. Martinu, who wrote the piece in Paris from April to May 1938, considered it to be of such a personal nature that his whole life he could not muster the resolve to publish it (the extant complete condensed score of the work contains a number of comments of a private nature, which document not only the circumstances of the work's genesis, but also the composer's close relationship with his 25-years-younger pupil and confidential lady friend, the talented composer Vítezslava Kaprálová, to whom he dedicated the quartet). He only agreed to its publication several months befor e his death, and he took no part in the printing preparations. The editors of the new edition, Ales Brezina and Adam Klemens, based their work strictly on the composer's autograph score and were meticulous in removing all the problematic and somewhat wanton revisions of the first edition. This urtext edition of the score includes a Preface and Editor's Notes by Ales Brezina (Czech, English, German, French).
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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