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Kabelác, Miloslav: Sonata

for Violoncello and Piano

playing score

Op. 9
Setting: Violoncello and Piano
Instrumentation: Vc/piano
Weight: 0.338 kg
Publisher: Bärenreiter
Item number: H7793
Other reference: H07793
ISMN: 9790260100091
With this composition, Editio Baerenreiter Praha launched the Complete Critical Edition of Works by Miloslav Kabelac, a prominent Czech composer who lived from 1908 to 1979. The editor of this complete edition is a musicologist and a noted expert on Kabelac's work, Dr. Zdenek Nouza. The outline of the edition is as follows: I. orchestral and concert compositions, II. compositions for solo voice or a chorus with orchestra or instrumental ensemble, III. songs with piano, choruses, children's choruses, IV. chamber compositions, V. compositions for piano and organ.
Sonata for cello and piano, which came into existence between years 1941-42, has never been published before. Therefore, as part of the Complete Edition, this composition appears in print for the first time. Its edition is based on an authograph present in the Museum of Czech Music in Prague. The prominent Czech cello player Daniel Veis, who also premiered the complete, four-movement version has revised the cello part of this edition.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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