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Eben, Petr: Windows 1

Four movements after Marc Chagall for Trumpet and Organ

playing score

Instrumentation: TRP/ORG
Weight: 0.26 kg
Publisher: Bärenreiter
Item number: H6390
Other reference: H06390
ISMN: 9790260102545
Fine art has always been a prominent source of inspiration for Petr Eben (1929-2007). Chagall's stained-glass windows for the synagogue in Jerusalem gave an impulse for the four movements for trumpet and organ commissioned by the city gallery in the West Bohemian town of Cheb. The author commented on his choice of instruments: &quot,The solemnity of the large panes of stained glass made me imagine the sound of the organ, and the intensity and brilliance of the sheaves of bright colours called for the shrill tone of the trumpet.&quot, Eben combines the two instruments in an original manner: both parts retain a great deal of independence, progressing in their own rhythmic patterns, intersecting in places. The modal composition typical of Eben's method is confronted here with atonality, enabling the final unison of the two instruments to sound with a monumental effect. Since its origin in 1976 Windows has been one of the most frequently performed pieces by the composer. The individual mov ements of the cycle are named after colours: The Blue Window, The Green Window, The Red Window and The Golden Window. The organ part was revised by Milan Slechta, the trumpet part by Ladislav Kozderka.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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