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Dvořák, Antonín: Poetical Tone Pictures V/3

playing score

Op. 85
Transcribed by Burghauser, Jarmil – Cubr, Antonín
Setting: Piano
Instrumentation: piano
Series: The Complete Works of Antonín Dvorák
Period: Romantic
Weight: 0.376 kg
Publisher: Bärenreiter
Item number: H338
Other reference: H00338
ISMN: 9790260105461
Dvorak wrote to his Berlin publisher in 1889 informing them of the composition of the "Poetic Tone Pictures" and adding "You will like the compositions. Each piece has a title and is meant to describe something..."
The titles of the different pieces give a good indication of the impulses which prompted Dvorak to write them: the intimate impressions and moods evoked by his enjoyment of the natural beauties of the Vysoka countryside where they were composed, and recollections of its past.
All this Dvorak has embodied in 13 pieces for piano in which the freshness of music combines with the poetic perceptiveness of the thought-content and the colourful piano setting.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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