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Dvořák, Antonín: Compositions for Piano V/2

playing score

Op. 52
Setting: Piano
Instrumentation: piano
Series: The Complete Works of Antonín Dvorák
Period: Romantic
Weight: 0.21 kg
Publisher: Bärenreiter
Item number: H3177
Other reference: H03177
ISMN: 9790260106185
This volume of the complete works publishes for the first time in their entirety the six piano pieces which Antonín Dvorák wrote presumably some time in early June 1880, and which he titled 'Six Morceaux pour Pianoforte'. The compositions come from the period when Dvorák consciously focused on creating shorter performance pieces, with which he wanted to satisfy the requests of publishers, who strived to obtain and publish some of the works of the successful composer (other works from this period include Silhouettes, Waltzes, Eclogues, Album Leaves, or Mazurkas). Of the six pieces, Dvorák designated only four for printing, they were published by the Leipzig publisher Friedrich Hofmeister (1881). The publication is part of the first Complete Edition of the Works of Antonín Dvorák. The Preface is written by Frantisek Bartos.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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