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Dvořák, Antonín: Silhouettes V/2

12 Piano Pieces

playing score

Op. 8
Setting: Piano
Instrumentation: piano
Series: The Complete Works of Antonín Dvorák
Period: Romantic
Weight: 0.263 kg
Publisher: Bärenreiter
Item number: H1763
Other reference: H01763
ISMN: 9790260106178
The cycle of 12 short piano pieces was composed in the autumn of 1879. The separate Silhouettes are, with three exceptions, elaborations on themes from three compositions which Dvorák wrote in 1865 and which remained unpublished: from the first two symphonies and from the first song cycle Cypresses. The Silhouettes were published in 1880 by Fr. Hofmeister in Leipzig, despite Dvorák having promised priority publishing rights of all his new works to Simrock. Hofmeister also published a four-hand arrangement of the work. The publication is part of the first Complete Critical Edition of the Works of Antonín Dvorák. The Preface is penned by Otakar Sourek (Czech, English, German, French).
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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