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Dusík, Jan Ladislav: Six Sonatinas I/22

for Harp

playing score

Setting: Harp
Instrumentation: harp
Series: Musica Antiqua Bohemica
Period: Romantic
Weight: 0.14 kg
Publisher: Bärenreiter
Item number: H1748
Other reference: H01748
ISMN: 9790260102354
Jan Ladislav Dusik (1712-1812) travelled throughpractically the whole of Europe as a Czechemigré musician. He worked as an organist and virtuoso pianist, teacher andconcert organiser.His works for harp were written during a period when the instrument wasundergoing extensivetechnical development at the end of the 18th century. Dusik wrote this cycle ofsix harpsonatinas in a graceful, late Rococo style. The short, two-movement piecesconsistentlyalternate leisurely and rhythmically more lively parts. The work was firstpublished in Parisby Erard in 1802. This Paris-based printed edition was also the basis for ouredition -editor Marie Zunova, apart from the correction of apparent errors and revisionof thenotated score, here also added fingerings and pedals, phrasing and dynamics,whichwere only rarely marked in the original publication. This title is part of theMusica AntiquaBohemica series.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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