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Dvořák, Antonín: Sonatina G major IV/1

playing score

Op. 100
Setting: Violin and Piano
Instrumentation: V/piano
Series: The Complete Works of Antonín Dvorák
Period: Romantic
Weight: 0.226 kg
Publisher: Bärenreiter
Item number: H1364
Other reference: H01364
ISMN: 9790260103894
Sonatina in G major for violin and piano was writtenduring a period of relaxed creativity andfamily contentment. Dvorak wrote it in America at the end of 1893 and dedicatedit to hischildren who were both attending the National Conservatory in New York, wherethe composeracted as director. His daughter Otylie, later the wife of Josef Suk, and his10-year-old sonAntonin, also premiered the work at a family concert. The purpose for which itwas intendedis reflected in the simplicity and clarity of musical ideas, and the relativelystraightforwardtechnical demands of the piece. This title is part of the first CompleteCritical Edition ofWorks by Antonin Dvorak.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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