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OperAria Tenor - Repertoire Collection
Vol. 1: lyric
Edited by Ling, Peter Anton
Setting: Vocal: tenor and piano
Period: Classic
Language: English, German
Length: 136 pages
Format: 23 x 30,5 cm
Weight: 0.51 kg
Publisher: Breitkopf & Härtel
Item number: EB8874
Other reference: 010887400
ISMN: 9790004184646
On the opera stage, the tenor is often the most eminent protagonist. Whether as ardent lover or tragic hero, he is in the limelight to show lyrical sensitivity, sonorous euphony and smoothness, a maximum of nuances. The vocal range creates high expectations and provides an extraordinary aura. The three volumes for tenor represent the grand finale of the most comprehensive collection of repertoire for all vocal genres, with 16 volumes.
Contents | ||
|---|---|---|
| 1. | Konstanze! Dich wiederzusehen / O wie ängstlich | |
| 2. | Dalla sua pace | |
| 3. | Il mio tesoro intanto | |
| 4. | Un aura amorosa | |
| 5. | Dies Bildnis ist bezaubernd schön | |
| 6. | Was ich dann tu' | |
| 7. | Languir per una bella | |
| 8. | Ecco ridente in cielo | |
| 9. | Una furtiva lagrima | |
| 10. | Ah ! mes amis | |
| 11. | Povero Ernesto! / Cercheró lontana terra | |
| 12. | Favorita del Re! / Spirto gentil | |
| 13. | A te, o cara | |
| 14. | Horch, die Lerche singt im Hain | |
| 15. | Ach! so fromm | |
| 16. | Questa o quella | |
| 17. | La donna é mobile | |
| 18. | Lunge da lei / De’ miei bollenti spiriti | |
| 19. | Dal labbro il canto estasiato vola | |
| 20. | Quel trouble inconnu / Salut ! demeure chaste et pure | |
| 21. | Puisqu'on ne peut fléchir / Vainement, ma bien aimée | |
| 22. | Prendre le dessin / Fantaisie aux divins mensonges | |
| 23. | Je crois entendre encore | |
| 24. | Kuda, kuda | |
| 25. | Instant charmant / En fermant les yeux | |
| 26. | Cachés dans cet asil / Oh, ne t'éveille pas | |
| 27. | Addio fiorito asil | |
We introduce our partners: Breitkopf & Härtel
Breitkopf & Härtel, founded in 1719, is the oldest music publishing company in the world. Already dealing with leading composers in the 18th century, Breitkopf continues this tradition today. “Breitkopf Pädagogik” stands for new music-pedagogical concepts. “Breitkopf Urtext” guarantees musicologically flawless editions for interpreters.
