Petzoldt, Martin: Bach-Kommentar, Volume IV -Masses, Magnificat, Motets-

Messen, Magnificat, Motetten

book

Length: 496 pages
Publisher: Bärenreiter
Item number: BVK2398
Other reference: BVK02398
The Bach commentary discusses, in four extensive volumes, Johann Sebastian Bach's complete sacred vocal works from a theological point of view.
In the scope of previous research, musicologists attempted to understand Johann Sebastian Bach's sacred vocal works based on a general knowledge of the Lutheran church and theology. A theological equivalent to the fundamental Bach research presented by musicologists - one that would mainly draw from the contemporary theology relevant for the texts Bach set to music - has not been presented until now. Closing this gap, the Bach commentary is based on extensive theological research and offers readers comprehensible insights into the Bible interpretation used by Johann Sebastian Bach in his sacred vocal works.
Volume IV contains Bach's masses, Magnificat, and motets.
The author
Martin Petzoldt was Professor for Systematic Theology at the theological faculty of the Leipzig University.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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