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Bach, Johann Sebastian: The Well-Tempered Clavier II/50 /

facsimile

Edited by Rebmann, Martina – Wolff, Christoph
Period: Baroque
Weight: 1.207 kg
Publisher: Bärenreiter
Item number: BVK2368
ISMN: 9788070583500
The ‚Well-Tempered Clavier' is the Old Testament, Beethoven's sonatas the New.We must believe in both.' Hans von Bülow
The preludes and fugues of 'The Well-Tempered Clavier' embrace an entire cosmos of compositional devices and musical characters - the 'ne plus ultra' of ‚unity through diversity'. Here Bach not only presented the sum total of keyboard artistry in his day but foresaw its future evolution.His treatment of the keys marked a turning point in music history.
The autograph score, originally a fair copy, contains later revisions and alterations reflecting the composer at work.
This new facsimile edition presents the manuscript in high-quality four-colour reproduction. Bach authority Christoph Wolff provides a Commentary to the work's genesis and the characteristics of Bach's handwriting.
Martina Rebmann(Staatsbibliothek zu Berlin) describes the subsequent history of the autograph.
BaRENREITER FACSIMILE
The seal is used exclusively for facsimile editions publi shed by Barenreiter which meet the highest demands in both scholarly and technical terms.
The distinguishing features include:
-A facsimile in high-quality colour printing
-Scholarly commentary
-Attractive cover design
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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