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Elgar, Edward: Concerto

for Violoncello and Orchestra

facsimile

Op. 85
Period: Romantic
Weight: 0.964 kg
Publisher: Bärenreiter
Item number: BVK1928
Other reference: BVK01928
ISMN: 9783761823361
Perhaps it was British humour which led Elgar to describe his Cello Concerto, a work composed in the autumn of his life, as 'good and lively'. Premiered on 27 October 1919 in London , the work is an expression of his personal experiences as well as those encountered as a composer together with echoes of earlier compositions such as the Serenade for Strings. When asked what significance the Cello Concerto had, Elgar replied: 'a person's attitude to life'. Today it is one of the most popular works in the cello repertoire.
This facsimile was published for the occasion of the 150th anniversary of Elgar's birth on 2 June 2007. True to the original, it reproduces Elgar's numerous coloured corrections and additions, preparations for the printed version of the score and last minute corrections, no doubt reflecting his experience in rehearsals, performances and recordings. The edition also includes an introduction by Jonathan Del Mar who has already prepared the Urtext edition of this work as well as a preface by the renowned cellist Steven Isserlis .
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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