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Concert Pieces for Double Bass and Piano

piano score

Edited by Close, J. Peter – Sassmannshaus, Holger
Setting: Double Bass and Piano
Instrumentation: double bass-solo/Orch
Series: Bärenreiter's Sassmannshaus
Language: English, German
Grade: 2
Weight: 0.37 kg
Publisher: Bärenreiter
Item number: BA9696
Other reference: BA09696
ISMN: 9790006525546

This collection of pieces for the Double Bass and Piano has been created specifically for young Double Bass players who are wishing to start performing in public. The 19 concert pieces featured are easy to rehearse yet soundeffective.

With works from the Baroque, Classical and Romantic periods, as well as newly composed pieces by the Polish Bass player Boguslaw Furtok, Concert Pieces For Double Bass And Piano offers greatvariety.

Ideal for musicians following th

Contents

1.
Schlemüller, Hugo: Song op. 12/1
2.
Dittersdorf, Karl Ditters von: German Dance
3.
Mozart, Wolfgang Amadeus: Papageno's Aria from "The Magic Flute K. 620"
4.
Mozart, Wolfgang Amadeus: March of the Priests from "The Magic Flute K. 620"
5.
Beethoven, Ludwig van: Adagio originally for mandolin and harpsichord (Woo 43a)
6.
Mendelssohn, Ludwig: Minuet from "Student Concerto op. 213, 2nd movement"
7.
Anonymus: Tre giorni
8.
Bach, Johann Sebastian: Largo from "BWV 1056/2"
9.
Dancla, Charles: Polka from Petite école de la mélodie. 20 petits pieces tres faciles en trois suites (op. 123, suite no. 1/6)
10.
Fauré, Gabriel: Apres un reve
11.
Nölck, August: Tempo di ballo from "Petit Album de Concert"
12.
Bréval, Jean Baptiste: Adagio from "Concertino in F, 2nd movement"
13.
Tschaikowsky, Peter: Chanson triste
14.
Keyper, Franz: Romance
15.
Fuchs, Robert: Allegro moderato from "Three Pieces for Contrabass and Piano (op. 96/1)", based on Mozart
16.
Furtok, Boguslaw: Elegie
17.
Fauré, Gabriel: Sicilienne op. 78
18.
Furtok, Boguslaw: Concert Piece
19.
Saint-Saëns, Camille: The Swan from "The Carnival of the Animals"
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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