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Close, J. Peter – Sassmannshaus, Holger: Early Start on the Double Bass 1

playing score

Setting: Double Bass
Instrumentation: double bass
Series: Bärenreiter's Sassmannshaus
Language: English
Length: 72 pages
Weight: 0.339 kg
Publisher: Bärenreiter
Item number: BA9661
Other reference: BA09661
ISMN: 9790006540266
Early Start on the Double Bass encompasses everything that one would expect from a Sassmannshaus method: an easy start, progression at a suitable rate, songs and scales in different positions from early on, as well as many duets. Whilechildren learning other string instruments can start as early as the age of four, the appropriate age to begin with the double bass is approximately eight (possibly even six), this allows for a faster progression than on the other string instruments,and the
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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