Franck, César: Quartet
for 2 Violin, Viola and Violoncello
parts
In her foreword, the editor Christine Strucken-Paland portrays the significance of the string quartet for Parisian musical life at the end of the 19 th century and places it in the context of the composer's other late chamber music works. She also describes the work's development, its publication and reception and dis cusses aspects of performance practice. The facsimiles show Franck's struggles with the opening movement and the critical commentary lists variant readings found in the sources.
- First Urtext edition of Franck's masterwork
- Informative foreword (Ger/Fr/Eng)
- Facsimiles and a critical commentary (Eng)
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
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