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Sonntagsorgel 3

Easy organ music for church services and teaching. Festive Music - Fugues - Trios

playing score

Edited by Kircher, Athanasius
Setting: Organ
Instrumentation: Org
Weight: 0.26 kg
Publisher: Bärenreiter
Item number: BA9287
Other reference: BA09287
ISMN: 9790006539772
Sonntagsorgel is a collection of stylistically varied pieces for the amateur organist comprising three volumes. The edition is ideal for use in church services or for teaching purposes.

The first volumeincludes festive preludes, toccatas and fugues, trios and pastorals by German and French composers from the 17th through to the 20th century. In this, the Second Volume, meditative pieces by composers ranging fromChristian Heinrich Rinck to Théodore Salomé

Contents

1.
Alla Marcia C maj [Adams, Thomas]
2.
Präludium C-maj [Bruckner, Anton]
3.
Präludium C maj [Grünberger, P. Theodor}
4.
Plein jeu C Maj [Lebegue, Nicolas-Antoine]
5.
Praeludium et Fuga C Maj [Nitauff, Gottlieb]
6.
Präludium c Min [Rinck, Johann Christian Heinrich]
7.
Präludium C Min [Anonymus]
8.
Präludium D Maj [Knecht, Justin Heinrich]
9.
Präludium D Maj [ Fischer, Johann Caspar Ferdinand]
10.
Fanfare D Maj [Marsh, John]
11.
Plein jeu D Min [Grigny, Nicolas de]
12.
Plein jeu D Min [Guilain, Jean Adam]
13.
Toccata E Min [Anonymus]
14.
Marcietta F Maj [Dubois, Théodore]
15.
Marche F Maj [Lasceux, Guillaume]
16.
Andante F Maj [Hesse, Adolph]
17.
Prélude F Maj [Lebégue, Nicolas-Antoine]
18.
Couplet du "Gloria, et in terra pax" G Maj [Couperin, François]
19.
Vorspiel G Maj [Knecht, Justin Heinrich]
20.
Plein jeu G Maj [Lebégue, Nicolas-Antoine]
21.
Toccata G Maj [Martini, P. Giovanni Battista]
22.
Preludio G Maj [Walther, Johann Gottfried]
23.
Präludium G Maj [Pachelbel, Johann]
24.
Prélude G Min [Guilain, Jean Adam]
25.
Präludium A Maj [Pachelbel, Johann]
26.
Moderato A Min [Rinck, Johann Christian Heinrich]
27.
Fanfare B Maj [Dubois, Théodore]
28.
Toccata B Maj [Martini, P. Giovanni Battista]
29.
Fuge [Martini, P. Giovanni Battista]
30.
Kleine Fuge C Maj [Forchhammer, Theophil]
31.
Fuge C Min [Rembt, Johann Ernst]
32.
Fughetta D Maj [Schütze, Friedrich Wilhelm]
33.
Fuge D Min [Simon, Johann Caspar]
34.
Fughetta E Min [Rinck, Johann Christian Heinrich]
35.
Fugato F Maj [Mayr, Johann Simon]
36.
Fugue G Min [Marchand, Louis]
37.
Fughetta A Min [Rinck, Johann Christian Heinrich]
38.
Fughetta (Postludium) B Maj [Rembt, Johann Ernst]
39.
Trio [Rembt, Johann Ernst]
40.
Trio C Maj [Kellner, Johann Christoph]
41.
Trio C Maj [Sorge, Georg Andreas]
42.
Trio C Min [Tag, Christian Gotthilf]
43.
Trio D Maj [Kellner, Johann Christoph]
44.
Trio G Maj [Sorge, Georg Andreas]
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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