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Bunk, Gerard: Complete Organ Works 3

playing score

Op. 43,49,54,57
Edited by Boecker, Jan – Stockmeier, Wolfgang
Setting: Organ
Instrumentation: Org
Weight: 0.451 kg
Publisher: Bärenreiter
Item number: BA9284
Other reference: BA09284
ISMN: 9790006537181
Gerard Bunk (1888-1958) was one of the greatest organists of the first half of the 20th century who, besides Reger, was able to develop his own characteristic style. His organ compositions divide into free individual works, character pieces, chorale preludes and six large-scale concert works.
Volume IV contains organ works composed between 1912 and 1915, comparable in quality with works by Max Reger and Sigfrid Karg-Elert. Harmonically bold and full of individual style, they are one of the last milestones in the late Romantic style before the advent of the Organ Reform Movement.
This Urtext edition, prepared by the composer's grandson, is the result of extensive, meticulous research into the sources and reflects the latest musicological findings. Each volume contains a detailed foreword, numerous facsimiles and illustrations and a critical commentary.
The complete edition will comprise a total of six volumes.
- First complete Urtext edition
- Each volume contains a deta iled foreword and critical commentary (Ger/Eng)
- Numerous facsimiles and illustrations
Contents (BA 9284):
Festliche Stunde (Marche festivale) op. 43
Piece héroďque op. 49
Eight Character Pieces op. 54
No. 1: Melodie
No. 2: Scherzando
No. 3: Impromptu
No. 4: Improvisation
No. 5: Pastorale
No. 6: Aeolsharfe
No. 7: Canzone
No. 8: Allelujah
Fantasie op. 57
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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