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Mozart, Wolfgang Amadeus: Concert Arias

for Bass

vocal/choral score

Transcribed by Beyer, Christian
Edited by Seedorf, Thomas
Setting: Vocal
Instrumentation: BSolo/piano
Series: Bärenreiter Urtext
Period: Classic
Weight: 0.316 kg
Publisher: Bärenreiter
Item number: BA9185
Other reference: BA09185
ISMN: 9790006541348

This Urtext edition of W. A. Mozart's Concert Arias For Bass Voice And Piano features a clear and legible layout of the musical text with all aria texts translated into German and English and printedseparately.

This edition contains straightforward Piano reductions to the individual arias with additional notes and suggestions on performance practice in the accompanying booklet. There is also a choice of suggestions forthe performance of cadenzas and lead-ins,

Contents

1.
Va, dal furor portata KV 21
2.
Tali e cotanti sono KV 36 (33i)
3.
Si mostra la sorte KV 209
4.
Con ossequio, con rispetto KV 210
5.
Clarice cara mia sposa KV 256
6.
Se al labbro mio non credi KV 295
7.
Per pieta, non ricercate KV 420
8.
Aura, che intorno spiri KV 431 (425b)
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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