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Mozart, Wolfgang Amadeus: Concert Arias

for Tenor

vocal/choral score

Transcribed by Beyer, Christian
Edited by Seedorf, Thomas
Setting: Vocal
Instrumentation: TSolo/piano
Series: Bärenreiter Urtext
Period: Classic
Weight: 0.381 kg
Publisher: Bärenreiter
Item number: BA9184
Other reference: BA09184
ISMN: 9790006541331

This Barenreiter Urtext edition Vocal score of Mozart’s insert and Concert Arias is based on the New Mozart Edition (NMA).

The musical text presented in this edition is free from practicalreferences on performance aspects or suggestions on performance practice. An accompanying booklet gives detailed explanations on the execution of appoggiaturas and other performance practice phenomena relevant to each aria. Inaddition, there is a choice of suggestions for the

Contents

1.
Aria „Va, dal furor portata” K. 21 (19c)
2.
Recitativo „Or che il dover” ╩ Aria (Licenza) „Tali e cotanti sono” K. 36 (33i)
3.
Aria „Si mostra la sorte” K. 209
4.
Aria buffa „Con ossequio, con rispetto” K. 210
5.
Aria buffa „Clarice cara mia sposa” K. 256
6.
Aria „Se al labbro mio non credi” K. 295
7.
Aria (Rondo) „Per pieta, non ricercate” K. 420
8.
Recitativo Misero! „O sogno ╩ Aria Aura, che intorno spiri” K. 431 (425b)
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During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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