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Schubert, Franz: Winterreise

for High Voice and Piano

vocal/choral score

Op. 89
Edited by Dürr, Walther
Setting: Voice and piano
Instrumentation: hvoice/piano
Series: Bärenreiter Urtext
Period: Romantic
Weight: 0.372 kg
Publisher: Bärenreiter
Item number: BA9118
Other reference: BA09118
ISMN: 9790006538744
In spring 1827 Schubert performed the first part of his best-known song cycle ‚Winterreise’ for his friends for the first time. At this time he assumed that he had set all the texts belonging to the cycle to music. Only laterdid he come across the complete cycle of 24 songs in Müller’s volume ‚Gedichte aus den hinterlassenen Papieren eines reisenden Waldhornisten’ of 1824. As a result, he set the twelve further poems as a separate group, partlyparaphrasing the songs in the first part and part

Contents

1.
Vorwort / Preface
2.
Liedtexte / Song Texts
3.
Winterreise op. 89 D 911 [Februar - Herbst 1827]
4.
Erste Abteilung:
5.
Gute Nacht
6.
Die Wetterfahne
7.
Gefrorne Tränen
8.
Erstarrung
9.
Der Lindenbaum
10.
Wasserflut
11.
Auf dem Flusse
12.
Rückblick
13.
Irrlicht
14.
Rast
15.
Frühlingstraum
16.
Einsamkeit
17.
Zweite Abteilung:
18.
Die Post
19.
Der greise Kopf
20.
Die Krähe
21.
Letzte Hoffnung
22.
Im Dorfe
23.
Der stürmische Morgen
24.
Täuschung
25.
Der Wegweiser
26.
Das Wirtshaus
27.
Mut
28.
Die Nebensonnen
29.
Der Leiermann
30.
Anhang / Appendix:
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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