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Schubert, Franz: Lieder, Band 9

vocal/choral score

Edited by Dürr, Walther
Instrumentation: Voice-High,Piano
Series: Bärenreiter Urtext
Period: Romantic
Weight: 0.861 kg
Publisher: Bärenreiter
Item number: BA9109
Other reference: BA09109
ISMN: 9790006530588
Volume 9 of the new Urtext edition of Schubert’s lieder contains lieder composed during the spring and summer of 1816, some of which follow upon series started in 1815. They are available in separate books for high, medium and low voice. The volume was completed by the eminent Schubert scholar Walter Dürr who passed away at the beginning of 2018. It was in 1816 that Schubert completed his settings of Ossian's songs and added lieder on texts by Johann Georg Jacobi, Johann Peter Uz and Matthias Cl

Contents

1.
I. Weltlich
2.
Secular
3.
Arne, Ilze: 1. Viva la musica
4.
Palestrina, Giovanni Pierluigi da: 2a. Soll ich denn meiden dich
5.
Palestrina, Giovanni, Pierluigi da: 2b. Ahi, che quest? occhi miei
6.
Schumann, Robert: 3. Zigeunerleben "Im Schatten des Waldes" op. 29 Nr. 3
7.
Cui, C│sar: 4a. L?onde est endormie op. 46 Nr. 1
8.
Cui, C│sar: 4b.Zadremali Volny op. 46 Nr. 1
9.
Brahms, Johannes: 5. Die Meere "Alle Winde schlafen auf dem Spiegel der Flut" op. 20 Nr. 3
10.
Elgar, Edward: 6. In Haven "Closely let me hold thy hand" (Nr. 2 from: Sea Pictures op. 37 f▓r Alt solo und Orchester)
11.
Clements, John Harvey: 7. There is Sweet Music here
12.
Distler, Hugo: 8. Er ist's "Fr▓hling l“sst sein blaues Band" (from op. 19)
13.
Golle, J▓rgen: 9. ...dass T”ne tragen k”nnen (from: "Lichtzeichen")
14.
Chilcott, Bob: 10. Swansongs - 1. from A Book of Merrie Riddles, 1631 "A ship there drives"
15.
2. Riddle "My dress is silent"
16.
Milliken, Sandra: 11. If I Open the Door
17.
Zimpel, Sylke: 12. Am Wegrand "Ein gl“nzender Stein am Wegesrand"
18.
Tas, Rudi: 13. Do not Stand at My Grave and Weep
19.
Whitacre, Eric: 14. The Seal Lullaby "Oh! hush thee, my baby"
20.
Gjeilo, Ola: 15. Tundra "Sacred expanse of green and white"
21.
LefŠvre, Bernard: 16. Une image vers│e "Le jour s?ouvre d?un cri" (Nr. 1 from: Triptyque pour une aim│e)
22.
II. Geistlich
23.
Sacred
24.
Telemann, Georg Philipp: 17. Heilig ist Gott, der Herr
25.
Gounod, Charles: 18. Da pacem
26.
Alary, Giulio: 19. Kyrie
27.
Rheinberger, Josef: 20. Inclina, Domine op. 118 Nr. 4
28.
Chaminade, C│cile: 21. Agnus Dei (from: Messe pour deux voix │gales avec accompagnement d?orgue) op. 167
29.
Bentivoglio, Giulio: 22. O salutaris hostia
30.
Casals, Pablo: 23. Nigra Sum
31.
I Am Black (Decepta ex Canticis)
32.
Kreek, Cyrillus: 24. Mu s▓da, “rka ▓les (Wach auf, mein Herz, und singe)
33.
Agnestig, Carl-Bertil: 25. Sanctus
34.
Telfer, Nancy: 26. Sicut Cervus Desiderat
35.
Petersson, Per Gunnar: 27. Gloria (from: Missa brevis)
36.
Albrecht, Sally K.: 28. Alleluia
37.
Hamilton, David: 29. Ave Maria
38.
Dubra, Rihards: 30. Laudate Dominum
39.
Milliken, Sandra: 31. Panis Dei
40.
E?envalds, Eriks: 32. O salutaris hostia (revised version)
41.
III. Folklore
42.
Folk
43.
Brahms, Johannes: 33. Wenn ich ein V”glein w“r
44.
Jenner, Gustav: 34. Wenn die Kinder schlafen ein
45.
Schulz, Johann Abraham Peter: 35. Der Mond ist aufgegangen?
46.
Traditional: 36. Dat du min Leevsten b▓st
47.
Traditional: 37. Vetter Michel "Gestern Abend war Vetter Michel hier"
48.
Traditional Gaelic Mouth Music: 38. Broish Mc Roish
49.
Traditional Irish Tune: 39. Danny Boy "Oh, Danny Boy, the pipes are calling"
50.
Traditional Celtic: 40. The Parting Glass (A Celtic Farewell)
51.
Traditional English: 41. I Will Give My Love an Apple
52.
Traditional Swedish: 42. Quiet Solitude "O tysta ensamhet"
53.
"Oh quiet solitude that brings along sweet sadness"
54.
Traditional Schwedish: 43. Vem kan segla f”rutan vind?
55.
Who Can Sail without the Wind?
56.
Traditional Basque: 44. Lili eder bat
57.
Traditional Armenian: 45. Saren kowga jowxtm goc
58.
Bartck, B│la: 46. Bolyong s "Vad erdoben, j rok, vad erdoben" (Traditional Hungarian)
59.
Traditional Bulgarian: 47. Ergen Deda
60.
Traditional Japanese: 48. Hotaru koi (Ho, Firefly)
61.
IV. Popul“r
62.
Popular
63.
Arlen, Harold: 49. Over the Rainbow "Somewhere over the rainbow"
64.
Styne, Jule: 50. Diamonds Are a Girl?s Best Friend "The French are glad to die for love"
65.
Brown, Nacio Herb: 51. You Are My Lucky Star
66.
Andre, Fabien
67.
Schwandt, Wilbur: 52. Dream a Little Dream of Me "Stars shining bright above us"
68.
Gold, Julie: 53. From a Distance
69.
White, Jack: 54. Eine neue Liebe ist wie ein neues Leben "Wie war das doch gestern?"
70.
Fekaris, Dino
71.
Perren, Freddie: 55. I Will Survive "At first I was afraid"
72.
O?Connor, Sin│ad: 56. In this Heart
73.
Nilsson, Stefan: 57. Gabriellas s╗ng "Det “r nu som livet “r mitt"
74.
Gabriellas Lied "Nun geh”rt mein Leben nur mir"
75.
Quartel, Sarah: 58. I Remember
76.
Barnett, George Ezra
77.
Pott, Joel Laslett: 59. Budapest "My house in Budapest, my hidden treasure chest"
78.
Bellqvist, Daniel
79.
Birming, Robert
80.
Nova, Heather
81.
Z“ll, Frederik: 60. Some
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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