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Schubert, Franz: Lieder

for High Voice and Piano

vocal/choral score

Edited by Dürr, Walther
Setting: Voice and piano
Instrumentation: hvoice/piano
Series: Bärenreiter Urtext
Period: Romantic
Weight: 0.779 kg
Publisher: Bärenreiter
Item number: BA9105
Other reference: BA09105
ISMN: 9790006530540

Contents

1.
Hagars Klage D 5 Leichenfantasie D 7
2.
Der Vatermörder D 10
3.
Klaglied op. post. 131, 3 ╩ D 23
4.
Misero pargoletto D 42 (high voice only)
5.
Totengräberlied D 44
7.
Verklärung D 59
8.
Pensa che questo istante D 76 (medium and low voice only)
9.
Der Taucher D 77
10.
Son fra l’onde D 78 (high voice only)
11.
Adelaide D 95
12.
Trost. An Elisa D 97 Erinnerungen, D 98
13.
Andenken, D 99
14.
Geisternähe D 100
15.
Erinnerung D 101
16.
Die Betende D 102
17.
Die Befreier Europas in Paris D 104
18.
Lied aus der Ferne D 107 (1st version)
19.
Lied aus der Ferne D 107 (2nd version)
20.
Der Abend D 108
21.
Lied der Liebe D 109 Romanze D 114 (1st version)
22.
Romanze D 114 (2nd version) An Laura (als sie Klopstocks Auferstehungslied sang) D 115
23.
Der Geistertanz D 116
24.
Die Schatten D 50
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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