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Mendelssohn-Bartholdy, Felix: Concerto

Reconstructed and completed by R. Larry Todd for Piano and Orchestra

score

Setting: Piano and orchestra
Instrumentation: piano-solo/2Fl/2Ob/2clarinet/2bassoon/2Hn/2Trp/timpani/Str
Period: Romantic
Language: English, German
Duration: 0:26
Weight: 0.517 kg
Publisher: Bärenreiter
Item number: BA9081
Other reference: BA09081
ISMN: 9790006537815
The Mendelssohn specialist R. Larry Todd has taken the short score of this piano concerto believed to have its origins in the period directly before Mendelssohn's great E minor Violin Concerto. He has completed the composer's specified orchestration to the extant first two movements and added the scherzo-like 3rd movement of the E minor Violin Concerto with its solo part arranged for the piano like Beethoven's reworking of his Violin Concerto for piano and orchestra. Audiences now have the chance to hear this ‚sister' work to the famous Violin Concerto combined with the much loved finale of opus 64.
- First and second movements reconstructed from Mendelssohn's short score
- Third movement added
- In-depth preface (Ger/Eng) on the history and genesis of the work
- With facsimile pages
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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