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Mendelssohn-Bartholdy, Felix: The First Walpurgis Night op. 60

score

Op. 60
Edited by Cooper, John Michael
Words by Goethe, Johann Wolfgang von / Claudius, Matthias / EichendOrff instr., Joseph von
Setting: Voice, choir and orchestraVoice, choir and orchestra
Instrumentation: ASolo/TSolo/BarSolo/BSolo/Mixed choir-SATB/2Fl/Fl-picc/2Ob/2clarinet/2bassoon/2Hn/2Trp/3trombone/timpani/Tr-Gr/Be/2V/Va/Vc/double bass
Series: Bärenreiter Urtext
Period: Romantic
Grade: 3
Duration: 0:35
Weight: 0.947 kg
Publisher: Bärenreiter
Item number: BA9072
Other reference: BA09072
ISMN: 9790006534869
During the summer of 1799, Goethe wrote his ballad 'Die erste Walpurgisnacht' and asked his friend Carl Friedrich Zelter to set the work to music. Zelter however, felt unable to do this, and so Goethe's wish was only realised thirty years later by Felix Mendelssohn Bartholdy. The 'heavenly words' of the pagan ballads had impressed the composer so much after a visit to Weimar, that he was inspired to set them to music. In 1832 the composition took shape and was performed a year later in the Sing-Akademie in Berlin.
Mendelssohn was, however, unhappy with the first version of the work and held it back, until he decided on a radical revision of the work ten years after its premiere.
'Die erste Walpurgisnacht' was first performed in 1843 in Leipzig, in the presence of Robert Schumann and Hector Berlioz, in the form in which the work is still performed today.
The publication of this edition by John Michael Cooper makes the work available in an Urtext edition for the first time. Th e edition reflects the latest state of research, and the volume includes a Critical Commentary.
- One of Mendelssohn's most important secular works in an edition reflecting the latest research findings
- Barenreiter Urtext for the Mendelssohn anniversary year 2009
- Critical Commentary (Eng)
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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