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Mendelssohn-Bartholdy, Felix: Ruy Blas

Overture

score

Edited by Hogwood, Christopher
Setting: Orchestra
Instrumentation: 2Fl/2Ob/2clarinet/2bassoon/4Hn/2Trp/3trombone/timpani/Str
Series: Bärenreiter Urtext
Period: Romantic
Duration: 0:07
Weight: 0.444 kg
Publisher: Bärenreiter
Item number: BA9054
Other reference: BA09054
ISMN: 9790006522903
Mendelssohn composed ' Ruy Blas' in 1839 for a performance in Leipzig of Victor Hugo's play (1838) of the same name. The work calls for four horns and three trombones giving it the largest orchestral forces of Mendelssohn's concert overtures.
Mendelssohn wrote the overture and had the parts copied out in only six days, just in time for rehearsals and the first performance on the following day. As with many Mendelssohn compositions, ' Ruy Blas' has come down to us in more than one version.
The new Barenreiter Urtext edition presents the first version based on the autograph score and the later London version back to back. The posthumous version, which until now has been used for all recordings and performances, was not sanctioned or authorized by Mendelssohn and no source or reference to the version is known, it is therefore not included in Barenreiter's new critical edition.
- Urtext edition on the basis of all available sources
- Presentation of 2 versions in score and pa rts
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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