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Beethoven, Ludwig van: Concerto

for Pianoforte, Violin, Violoncello and Orchestra

piano score

Op. 56
Edited by Del Mar, Jonathan
Transcribed by Schmidt, Christian Martin
Setting: Orchestra
Instrumentation: piano-solo/V-solo/Vc-solo/Fl/2Ob/2clarinet/2bassoon/2Hn/2 Trp/timpani/2V/Va/Vc/double bass
Series: Bärenreiter Urtext
Period: Classic
Weight: 0.762 kg
Publisher: Bärenreiter
Item number: BA9027-90
Other reference: BA09027-90
ISMN: 9790006529254
In Beethoven's Triple Concerto, a piano trio provides the soloists - a first in the history of music. Beethoven's treatment of the trio is pioneering: he does not apply a typical piano trio setting in contrast to the orchestra, but varies his treatment of the solo parts, allowing each instrument to play alone with the orchestra (particularly the cello), using two solo instruments together in ever new combinations, and finally bringing together all three instruments with the orchestra. Beethoven weaves a complex web - the orchestral, piano, violin and cello voices interplaying and entwining - and he produces a true masterpiece.
Barenreiter's new Urtext edition of Beethoven's Triple Concerto is a completely fresh revision of this warm and beautiful showpiece. Errors abounded in all previous editions, but with the assistance of three newly-discovered sources, editor Jonathan Del Mar has cleaned up the text, corrected wrong notes and rhythms and (for the first time since 1807) presente d the work in a way that a musician of Beethoven's day might have recognized, with all necessary information for directing the piece included in the solo piano part.
- Piano reduction with separate parts for all three soloists
- Draws on three new sources
- Correction of many errors found in previous editions
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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