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Beethoven, Ludwig van: Beethoven, Concerto for Violin and Orchestra in D major op. 61

piano score

Op. 61
Edited by Del Mar, Jonathan
Transcribed by Schmidt, Christian Martin
Setting: Violin and Piano
Instrumentation: V-solo/Fl/2Ob/2clarinet/2bassoon/2Hn/2Trp/timpani/2V/Va/Vc/double bass
Series: Bärenreiter Urtext
Period: Classic
Weight: 0.416 kg
Publisher: Bärenreiter
Item number: BA9019-90
Other reference: BA09019-90
ISMN: 9790006525805
Beethoven's Concerto for Violin and Orchestra is one of the most famous works in the history of music. Over the last 150 years it has been published in numerous editions and up to now, none of these really does justice to the work.
 
After detailed study of all sources this new edition, prepared by the outstanding Beethoven scholar Jonathan Del Mar, now presents Beethoven's original slurring and articulation in the solo violin part, together with over 100 corrections in the orchestral parts.
The musical text has been freed of additions made over the decades by various editors and violinists.
The significance of Beethoven's solo and tutti markings has also been clarified for the first time.
The pioneering critical new edition will prove indispensible for all violinists as well as for orchestras and music libraries.
- With Beethoven's original slurring
- Includes over 100 corrections in the orchestral parts
- Contains an Urtext violin part and an additional v iolin part with fingering and bowing by Detlef Hahn
- Separate critical commentary (Eng)
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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