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Gounod, Charles: Messe solennelle (Ste Cécile)

for Soloists, Choir and Orchestra

vocal/choral score

Transcribed by Schellevis, Hans
Setting: Vocal
Instrumentation: SSolo/TSolo/BSolo/Mixed choir(SSAB)/Fl-picc/2Fl/2Ob/2clarinet/4bassoon/4Hn/2Kor/2Trp/3trombone/timpani/Be/Tr-Gr/harp/2V/Va/Vc/double bass/Octobass/Org
Series: Bärenreiter Urtext
Period: Romantic
Weight: 0.247 kg
Publisher: Bärenreiter
Item number: BA8966-90
Other reference: BA08966-90
ISMN: 9790006564002
Sacred works occupy a large part of Charles Gounod’s oeuvre. It was the Messe solennelle en l’honneur de Sainte Cécile that established his fame as a church composer. Its melodic invention and effective handling of the orchestra reveal a close proximity to opera. This Urtext edition is based not only on the original print of 1856 but also on copyists’ manuscripts and autograph sources. Rounding off this well-researched Urtext edition are an informative Introduction and a detailed Critical Commen
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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