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Rameau, Jean-Philippe: Nais

Ballet héroique in a prologue and 4 acts

vocal/choral score

Words by Cahusac, Louis de
Edited by Sadler, Graham
Transcribed by Saint-Yves, François
Setting: Vocal
Instrumentation: 4SSolo/ASolo/3BSolo/Mixed choir/ballet/2Fl-Picc/2Fl/2Ob/2bassoon/Tamb/Str/Bc
Period: Baroque
Duration: 2:30
Weight: 0.886 kg
Publisher: Bärenreiter
Item number: BA8856-90
Other reference: BA08856-90
ISMN: 9790006533466
Zaďs' was Rameau's first opera which was entirely devoted to 'la féerie', the enchanted world of myth from the Middle East with its spirits and fantastic creatures. It was first performed on 29 February 1748 at the Paris Opera and was much praised for its expressive power, elegance and variety of its music as well as for the charm of its ballet. Although the libretto by Louis de Cahusac was criticised, the delightful work proved very popular: it was revived in 1761 and 1769 and for more than two decades received over 100 performances.
Like most of Rameau's operas, 'Zaďs' was extensively revised during the composer's lifetime and afterwards. Revisions already began during the first rehearsals and continued until the first performance. The composer and the librettist Cahusac finally used the Easter period in 1748 to work on those revisions, as well as structural changes and musical substitutions, these included some substantial additions to vocal and instrumental movements. The versi on which was performed after Easter is more convincing, both musically and dramatically.
In contrast, the revivals of 1761 and 1769 - the first after Cahusac's death, the second after Rameau's - contained drastic cuts including the entire prologue.
For the new volume in the 'Opera Omnia Rameau' the version from Easter 1748 has been chosen as the primary source. For performances, a choice can be made between this and the original version, a series of insertions links all the passages with another.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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