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Bärenreiter Piano Moments. Romantic

playing score

Edited by Skipis, Andreas – Ullrich, Christoph
Setting: Piano
Instrumentation: piano
Period: Classic
Language: English, German
Length: 79 pages
Weight: 0.325 kg
Publisher: Bärenreiter
Item number: BA8766
Other reference: BA08766
ISMN: 9790006532766

Every pianist wants to make the most of the great possibilities of his or her instrument, and to play something from the Baroque or the Classical-Romantic tradition.

The best-known works, the most beautiful compositions,unforgettable moments in music.

BÄRENREITER PIANO MOMENTS makes this possible in well-written, exquisite arrangements. These include Handel’s Largo, the first movement of Mozart’s G minor Symphony, the Moldau andthe Wedding March from Mendelssohn’s Midsumm

Contents

1.
Hunters Chorus from "Der Freischütz" [Weber, Carl Maria von]
2.
Durch die Walder, durch die Auen [Weber, Carl Maria Von]
3.
Wedding March from "A Midsummer Night's Dream" [Mendelssohn Bartholdy, Felix]
4.
Widmung [Schumann, Robert]
5.
Sailors Chorus from "The Flying Dutchman" [Wagner, Richard]
6.
Lied an den Abendstern from "Tannhäuser" [Wagner, Richard]
7.
Overture from "Tannhäuser" [Wagner, Richard]
8.
Wedding March from "Lohengrin" [Wagner, Richard]
9.
Overture from "Parsifal" [Wagner, Richard]
10.
La donna e mobile from "Rigoletto" [Verdi, Giuseppe]
11.
Triumphal March from "Aida" [Verdi, Giuseppe]
12.
Barcarole from "Tales of Hoffmann" [Offenbach, Jaques]
13.
Vltava - Moldau from "Má vlast" [Smetana, Bedrich]
14.
Little Sandman op. 31-4 [Brahms, Johannes]
15.
The Blue Danube op. 314 [Strauss, Johann]
16.
Allegro from "Hungarian Dance No. 5" [Brahms, Johannes]
17.
Waltz op. 39-15 [Brahms, Johannes]
18.
Vivace [Brahms, Johannes]
19.
The Swan from "The Carnical of the Animals" [Saint-Saëns, Camille]
20.
Overture 3rd Act from "Carmen" [Bizet, Georges]
21.
Seguidilla from "Carmen" [Bizet, Georges]
22.
Danse des castagnettes from "Carmen" [Bizet, Georges]
23.
Votre toast je peux vous le rendre from "Carmen" [Bizet, Georges]
24.
La fleur que tu m'avais jetée from "Carmen" [Bizet, Georges]
25.
Habanera From "Carmen" [Bizet, Georges]
26.
Arabian Dance from "Nutcracker Suite" [Tschaikowsky, Peter]
27.
Chinese Dance from "Nutcracker Suite" [Tschaikowsky, Peter]
28.
March from "Nutcracker Suite" [Tschaikowsky, Peter]
29.
Allegro molto from "Symphony No. 9" [Dvorák, Antonín]
30.
Morning Mood op. 46-1 from "Peer Gynt Suite" [Grieg, Edvard]
31.
In the hall of the Mountain King op. 46-1 [Grieg, Edvard]
32.
Eucevan le stelle from "Tosca" [Puccini, Giacomo]
33.
Adagietto from "Symphony No. 5" [Mahler, Gustav]
34.
Abendsegen from "Hänsel und Gretel" [Humperdinck, Engelbert]
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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