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Chabrier, Alexis Emmanuel: L'etoile

Opéra-bouffe in 3 acts

vocal/choral score

Translated by Heinzelmann, Josef
Words by Leterrier, Eugene – Vanloo, Albert
Edited by Macdonald, Hugh
Transcribed by Müller, Heinz
Setting: Vocal
Instrumentation: 5SSolo/4MezSolo/4TSolo/BarSolo/2BSolo/2speaker/Mixed choir/2Fl(2Fl-picc)/Ob/2clarinet/bassoon/2Hn/2Kor/trombone/timpani/Gl/Tr-B/Be/Tri/2V/Va/Vc/double bass
Series: Bärenreiter Urtext
Period: Romantic
Weight: 0.764 kg
Publisher: Bärenreiter
Item number: BA8708-90
Other reference: BA08708-90
ISMN: 9790006537853
With 'L'Étoile', Chabrier composed a light-hearted opera which has increasingly enjoyed revivals in recent years.

The plot is introduced by King Ouf I who offers his subjects an execution every year on his birthday. Unfortunately the problem now arises that no crime has recently been committed which might serve as a reason for an execution. Finally, he finds a would-be victim in the young Lazuli. However, according to predictions by the astrologer Siroco, Lazuli's fate is closely linked to the king's own life. The comic opera is further bolstered by a story of mistaken identities which involves a great deal of diplomacy, a love story and a large number of refined, yet catchy melodies.
Chabrier was a master of the sensitive and complicated art of musical comedy, a field where he can be compared in equal measure to Offenbach, Rossini and Mozart.
This vocal score is based on the full score edited by Hugh Macdonald which is published as part of the series 'L'Opéra français'.< br>
- Authoritative Urtext edition based on the series 'L'Opéra français'
- Original French text with a German singing translation
- Comprehensive foreword (Ger/Eng/Fr)
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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