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Händel, Georg Friedrich: Concerto

Urtext edition based on newly found source for Flute (Oboe) and Orchestra

piano score

Edited by Best, Terence
Transcribed by Köhs, Andreas
Instrumentation: Fl/piano
Series: Bärenreiter Urtext
Period: Baroque
Language: English, German
Weight: 0.108 kg
Publisher: Bärenreiter
Item number: BA8533-90
Other reference: BA08533-90
ISMN: 9790006521142
The Concerto for Flute and Orchestra in G minor, HWV 287 is a first edition.
Although published in the Handel Complete Edition, IV/12 for oboe in 1971, the work has for many years been considered spurious because no contemporary source existed. This concerto was thought to have been written by an amateur musician who borrowed material from Handel's works written or published after 1733. The situation changed drastically when a contemporary set of parts for the concerto, originally copied in Stuttgart for the Erbprinz Friedrich Ludwig von Württemberg, were found in 1993. These parts, copied about 1720, show that the composer borrowed from this concerto for compositions such as the organ concerto HWV 296a, the concerto grosso op. 6 No.11, HWV 329 as well as the trio sonata in G minor, HWV 390. The parts are titled Concerto ŕ 5 for 1 Flut Travers e Hautb , 2 Violino , 1 Alto Viola Col Basso continuo. This new critical edition by Terence Best is the first to make use of this new sourc e. The score contains a lengthy preface and critical commentary.
- First ever publication making use of the new source material
- Informative preface describing the origin and genesis of the work
- A major new work for flute players
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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