Piutti, Carl: Chorale Preludes IV.1
playing score
Influences from Mendelssohn are evident in the melodic writing.
In a preface to the first edition the composer himself claimed: 'The pieces in this collection are all written for worship in church. With few exceptions they can be used equally well as preludes or postludes. If the short ones are suitable only as plain introductions to congregational singing, the longer ones will find their places as postludes or festive preludes.
Most of the pieces are easy to play, none of them are truly difficult, a trained organist will be able to play many of them at sight after having skimmed the page.'
Unlike the first edition, the keys in this projected three-volume series have been adapted to conform with the Lutheran Hymnal and the Gotteslob .
- A treasure trove of romantic chorale preludes
- Keys conform to the Lutheran Hymnal and ' Gotteslob '
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
