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Steigleder, Johann Ulrich: Ricercar Tabulatura (1624) II

playing score

Edited by Siegert, Christine – Thomas, Günter – Wilker, Ulrich
Setting: Organ
Instrumentation: Org
Series: Bärenreiter Urtext
Period: Romantic
Language: German, English, French
Weight: 0.31 kg
Publisher: Bärenreiter
Item number: BA8479
Other reference: BA08479
ISMN: 9790006525720
Johann Ulrich Steigleder (1593-1635) was organist at the collegiate church in Stuttgart from 1617 onwards and became court organist in 1627. His posthumous fame is based principally on his tablature book ' Ricercar Tabulatura ' (1624) which he himself published. The ricercares are intentionally instrumentally conceived. They contain antiphonal effects and fauxbourdon-like passages which are reminiscent of the English virginalists ' style. Steigleder's tabulature book is an important South German contribution to the organ music Kunstbücher by Titelouze , Scheidt , Frescobaldi and Correa de Arauxo which appeared around the same time.
This edition also contains three works which have survived under the name Adam Steigleder . The editor Ulrich Siegele is a leading international scholar of the works of the Steigleder family of musicians.
- Scholarly-critical Urtext edition of the ' Ricercar Tabulatura ' (1624) in two volumes
- Based on the la test musicological research
- Det ailed foreword (Ger/Eng) on the range and structure of the works, editorial technique and performance practice
- Critical Commentary (Ger) and a list of sources in each volume

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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