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Dubois, Théodore: Organist at the Church "La Madeleine: Trois Pieces pour Grand Orgue (1890) / Messe de Mariage. Cinq Pieces pour Orgue (1891) II

playing score

Edited by Schauerte Maubouet, Helga
Setting: Organ
Instrumentation: Org
Period: Romantic
Language: German, English, French
Grade: 3
Weight: 0.355 kg
Published: 2016
Publisher: Bärenreiter
Item number: BA8470
Other reference: BA08470
ISMN: 9790006562398
During his tenure at ''La Madeleine'' in Paris, Théodore Dubois composed a large number of organ works.Volume III, together with the already published Volumes II and IV, brings our first complete Urtext edition of this body of music to a close. It contains ''Trois Pieces'' (Praeludium-grave, Adoratio et Vox Angelica, Hosannah) and the well-known andfrequently performed wedding piece ''Messe de Mariage'' (Entrée du Cortege, Bénédiction nuptiale, Offertoire, Invocation, Laus Deo [Sortie]).Like the
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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