Boëllmann, Léon: Heures mystiques: Entrées, Offertoires, Offertoire funebre IV
playing score
Following in the tradition of Saint-Saëns, Franck and Gigout , he wrote music reflecting the elegance and urbanity of the Belle Époque. In 1896 he published a collection of one hundred short pieces for organ or harmonium entitled Heures mystiques. These pieces now form volume III of Helga Schauerte-Maubouet's practical Urtext edition.
The collection is divided into three sub-volumes reflecting the numbering and arrangement of Boëllmann's autograph fair copy. It offers organists a treasure-trove of easy pieces for use in church services. To play these pieces imaginatively on multi-manual organs, the performer must suitably adapt the musical text, the editor has provided an appendix with registrations for Offertoires I-II (op. 29, nos. 1-2) to serve as examples. In addition to a detailed preface and facsimiles, the edition includes a critical report in thr ee languages and a list of sources.
- First complete Urtext edition of the works of Léon Boëllmann in six volumes
- Easy pieces for use in church services
- Includes the latest scholarly findings and newly discovered sources
- Detailed preface, critical report in French/English/German, facsimiles of previously unknown sources, list of sources
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
