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Alain, Jehan: Posthumous Works. Suite, Intermezzo, Trois Dances

playing score

Edited by Schauerte Maubouet, Helga
Setting: Organ
Instrumentation: Org
Weight: 0.338 kg
Publisher: Bärenreiter
Item number: BA8430
Other reference: BA08430
ISMN: 9790006539659
Jehan Alain, a pupil of Marcel Dupré, came from a family of musicians near Paris. His works display literary influences as well as the influence of Gregorian chant, early music, impressionism, jazz, non-European rhythms and tonal systems. His treatment of the organ, almost chamber music-like, shows a stylistic departure from the romantic-orchestral type of organ composition.

This is accompanied by a change of direction to an idealised sound which combines elements of French classicism and romanticism in a new kind of synthesis. Not only the interpretation, but also a proper analysis of Alain's organ works has been difficult until now because of the lack of a critical edition. For the first time this new three-volume scholarly-critical Urtext edition of the complete organ works fills this gap.
The publications also coincide with the 100th anniversary of Alain's birth. The editor is an internationally recognised scholar and interpreter of Alain's organ works.
- First author itative Urtext edition of the Complete Organ Works
- 100th anniversary jubilee edition
- Informative foreword (Fr/Eng/Ger) and a critical commentary (Eng) to each volume

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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