German Organ and Keyboard Music of the 17th Century
Collection of First Editions
playing score
The second volume, like the first, consists entirely of first publications, this time of pieces by Buttstedt , Erbach , Kindermann , Philips, Christoph Walter and others. With their remarkable contrapuntal intricacy and formal mastery, these pieces invite harpsichord players and organists to diversify their recitals. Sometimes the reader is offered a glimpse of incalculable educational value into previously unknown organ specifications. Our scholarly-critical edition is rigorously based on the surviving source material and contains a critical report, a catalogue of sources, and a detail preface with sections devoted to ornamentation, editorial technique and performance practice.
- First publication of previously unknown works
- Detailed preface (German/English)
- Scholarly-critical performance edition
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
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If you prefer not to shop online, you also have the option to order from our website and we will forward your order to one of our partner music shops of your choosing. In this case, you will buy the scores directly from the shop and pay for them there upon pickup.
Please note that it is illegal to photocopy copyright protected music without the permission of the copyright holder.
To photocopy is to deprive the composer/author of his/her rightful income for his/her intellectual property.
